Ghost and Story化物语
Ghost Love Story猛鬼爱情故事
The-ghost-story烈鬼蜮
The Chinese Ghost Story人鬼狐篇;倩女幽魂
An American Ghost Story恐怖亡灵
Chinese Ghost Story III道道道
Telling ghost story还有讲述鬼的故事
chellonese ghost story倩女幽魂
Medical horror ghost story医学院恐怖女鬼故事
The modernist and postmodernist narrative techniques Morrison adopted include: the dislocated time of Beloved, with emphasis on the non-chronologicality in the text, the blurry between the past and the present, and the theme the temporal devices reveal; the shifting of different focalizations of Beloved, including zero focalization, external Realization and internal Realization, and finds that the Realization in Beloved is often changing or even mixed; the blurry genre, Beloved is a novel that straddles generic forms, it is both a ghost story and a historical novel; and the Stream of consciousness and interior monologue, which helps Morrison explore the physical and psychological damages slavery had inflicted on the ex-slaves.
受现代主义及后现代主义的影响,莫里森运用了支离破碎的时空概念、跳跃的视角、模棱两可的文体及意识流和内心独白的叙事手法。 在支离破碎的时空概念中着重探讨了文本中的非线性的叙述和时间界限的模糊性,指出了这些技巧在主题揭示上的意义;跳跃的视角对《宠儿》的多重视角—零聚焦、外聚焦和内聚焦进行了分析,发现小说中的视角是经常变化甚至是重叠的;《宠儿》从文体上跨越了鬼故事和历史小说两种体裁;通过意识流和内心独白的叙事手法更深刻地揭露奴隶制对奴隶身心的重创。
参考来源 - 论托尼·莫里森《宠儿》的叙事策略N-COUNT（可数名词） A ghost story is a story about ghosts. 鬼故事